Cinderella, treated as a serving girl by she Stepmother since her father’s death, sit by it s her in a drab comer that the residence as punishment for an infraction of she Stepmother’s rules. However she refuses to let her Stepmother’s and Stepsisters’ abusive treatment get her down. “In my Own small Corner,” she sings, she have the right to dream together she wishes and also “be everything I desire to be.”

The King and also Queen phone call the Prince he cannot delay choosing a bride any kind of longer. They decide he must provide a ball to i beg your pardon all easily accessible prospects will be invite – and from i m sorry he need to decide top top the one he’ll wed. Together the Herald’s stentorian tones notice the ball to the populace (“The Prince is offering a Ball”), parents and daughters alike reflect top top what it may mean for their possibilities of win the Prince’s favor.

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On the night that the ball, Cinderella is left alone at house when her Stepsisters and Stepmother depart for the palace. As she sobs in her own tiny corner (“In my Own little Corner” – reprise), her Fairy Godmother appears and also asks why she weeping. Cinderella claims it’s since she wants to walk to the ball however knows it’s impossible. “Bah,” come the reply, “what’s a Fairy Godmother for?” (“Impossible!; that Possible!”) as the Fairy Godmother magically transforms a pumpkin right into a gold carriage, 4 white mice into 4 white horses, and Cinderella’s tart dress into an elegant ball gown, she passes follow me a piece of generally Hammersteinian philosophy: that impossible desires can it is in achieved. Riding come the ball, Cinderella amends the words of her Fairy Godmother’s tune to currently affirm the “it’s possible!”

At the ball, the Prince dances (“Gavotte”) subsequently with several of the standard young ladies, consisting of the 2 Stepsisters, however makes no secret of being disappointed in every one of them.

As Cinderella come at the ball, the Prince is instantly drawn come the beautiful yet unknown young lady and asks she to waltz through him. Alone together on a starlit terrace a bit later, the Prince confesses that the past ten minute have readjusted his life, the it’s love at very first sight (“Ten minutes Ago”). Cinderella admits the she, too, has actually lost her heart.

Jealous of all the fist the Prince is giving the i could not recognize it Cinderella, the 2 Stepsisters let loose with a currently of catty venom together they establish they was standing no opportunity of contending with anyone so lovely (“Stepsisters’ Lament”). The King and also Queen, happy that the Prince seems to it is in “dancing ~ above air,” relocate to the run floor themselves (“Waltz because that a Ball”).

In the moonlight, the Prince and also Cinderella express in a duet the type of romantic quandary that not just fairy-tale characters but additionally lots of level mortals often discover themselves in. “Do ns Love You since You’re Beautiful (or room You Beautiful since I Love You?)” is a prime instance of the lyrical city Hammerstein might make the end of the straightforward expression that thoughts and feelings various other lyricists might consider too apparent or prosaic. Then, as the clock strikes midnight and also Cinderella remembers her Fairy Godmother’s warning that her magic spell would certainly last only to that hour, Cinderella flees from the royal residence – losing one of her glass slippers on the palace steps as her gown reverts to she old cake dress.

Back home, as Cinderella’s Stepmother and also Stepsisters reminisce about the ball, Cinderella dreamily speak them exactly how she pictures what the evening must have been choose (“When you’re Driving through the Moonlight”). Together the others scoff at her and go turn off to bed, Cinderella reminisces to herself around her night that nights (“A lover Night”).

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The Prince, after browsing his kingdom from one finish to the various other (“The Search”) because that the girl whose foot fits the glass slipper, has finally discovered Cinderella. As her Fairy Godmother reminds castle that impossible things room happening every day, Cinderella and also the Prince go into the chapel to it is in married – leaving no doubt that, in true fairy-tale tradition, they’ll live happily ever after (“The Wedding”).– Roy Hemming


Cinderella: Julie AndrewsThe King: Howard LindsayThe Queen: Dorothy StickneyThe Stepmother: Ilka ChaseStepsister Portia: Kaye BallardStepsister Joy: Alice GhostleyFairy Godmother: Edith AdamsThe Prince: Jon CypherTown Crier: Robert PennCaptain of The Guard: Alec ClarkeChef: Iggie WolfingtonSteward: George HallCourt Tailor: David E. PerkinsChildren: Kathy Kelly, Karen Lock, Leland Mayforth, Johnny Townsen, Karen WatersTownspeople: Eleanor Phelps, Martha Greenhouse, Jerome Collamore, Julius J. Bloom, Jacquelyne Paige, man Call

Singers: Charles Aschmann, Herb Banke, grace Dorian, pat Finch, Marvin Goodis, Margot Moser, Earl Rogers


Alice Ghostley Edith Adams Julie andrew Kaye Ballard Richard Rodgers Robert Russell Bennett


In between performances as Eliza Dolittle on Broadway and in London in the hit present My same Lady, Julie andrew endeared television audiences together the princess through the glass slipper in this music retelling the the Charles Perrault fairy tale, courtesy of Richard Rodgers for the music and Oscar Hammerstein II for the book and lyrics. The special, broadcast on in march 31, 1957, attracted much more viewers than any other productions top top television, with an estimated three-quarters that the country’s populace riveted to the tiny screen on the night that the broadcast.